For many of us, history was an integral part of our academic experience. As children, we read our history books and learned of the formative years of our nation, of wars that forever changed the socio-political climate worldwide, and of the trials of the oppressed as they fought for freedom. But the past is doomed to repeat itself unless we take that knowledge, combine it with deep reflection and introspection, and turn that potent mixture into action. While that action can take place in courtrooms and protests, it can also find its home on a proscenium stage. Art, and more specifically, the art of dance, has at its heart the the power to keep the past alive and give voice to its stories. Through thorough research, reflection and creative development, choreographers can shed new light on some of history’s darkest days. But that ability is an art in and of itself, and few are as well equipped to shine that light as Ballet 5:8 Artistic Director, Julianna Slager.

There’s an art to just being a dance company, but it’s a complex one. There’s a choreography to all of the moving parts, a movement to all of the emerging challenges and a design to how they’re met. At Ballet 5:8, you can see this art a lot of ways, and one of them is the way the Company presents to the world what it is they have to share. This is usually called “marketing” or “promotion”, but when done well, it’s a real art, not that different from arts like choreography and music composition, where an artist shares a vision, or a feeling, or a perspective, or a hope. At a dance company, marketing at its best is the art of sharing what the company’s artists have to share, both telling people about a program like Compass (Ballet 5:8’s evening length work at Chicago’s Athenaeum Theatre on November 10th), and making it possible, through all the arts of content creation, for people like us at DancerMusic do so as well.