The female gaze is a powerful thread pulled through the novel of “Till We Have Faces,” offering a unique perspective on the age-old tale of Cupid and Psyche. The novel is narrated by Orual, Psyche's older sister, who provides a complex and nuanced portrayal of the story that is often missing from other retellings.

While many traditional ballets feature female protagonists who are used by their powerful male counterparts instead of being loved, there are also examples of female protagonists who challenge these conventions and showcase their strength and independence. As ballet continues to evolve in the 21st century, it is important for female protagonists to continue pushing back against these limitations and seeking out roles that allow them to express themselves fully and authentically.

Throughout the 20th century, ballerinas were often relegated to demure roles that did not showcase their true strength and power. These roles were designed to emphasize traditional gender roles and limit the ways in which women could express themselves through dance. In this blog post, we will explore some specific examples of how ballerinas were placed in demure roles instead of being empowered.

Ballet, as an art form, has a rich history that spans centuries. However, one aspect of this history that has come under scrutiny in recent years is the celebration of hierarchy. This hierarchy was celebrated as an essential part of ballet, but 21st-century ballets need to reflect equality across a diverse landscape.

Ballet is a timeless art form that has evolved over the centuries. However, in the 20th century, traditional ballet became characterized by a certain set of stories and forms that are now considered archaic and in need of innovation. These stories and forms, while once considered cutting edge, no longer resonate with today's audiences and fail to represent the diversity of our world. As such, it is essential that ballet embrace new and diverse stories and storytellers in order to remain relevant and engaging.

Throughout history, women in ballet have often been objectified due to the dominance of the male directors and choreographers, which has influenced the way dancers are choreographed, costumed, and presented on stage. In the 21st century, it is imperative that women’s voices are heard.